In February 1888, Vincent van Gogh left the cold, dreary winter in Paris and moved to the town of Arles. There, inspired by the variegation and light of southern France, he created more than two hundred paintings
in fifteen months, including “The Old Mill.” Van Gogh depicted the mill, popularly known as tabatière or Jonquet, using a thick application of paint, exaggerated angles, and vibrant effects. Van Gogh was one of
the first artists to free color from a merely descriptive function. Objects did not have to be reproduced on the canvas as they were seen in real life. Instead, he used color to express his feelings about the subject.
A lapis-painted mountain range against a sea foam sky represents his joy in the beauty, light, and warmth of the south. Although van Gogh was often criticized for working too quickly, the careful brushwork of this
painting reveals otherwise; you can clearly see where he varied the direction of his paint to delineate different parts of the landscape. Van Gogh once wrote that he thought about each painting at length in advance,
thus he could work fairly quickly when he finally began to paint. His response to criticism was, “When anyone says that such and such is done too quickly . . . they have looked at it too quickly.”
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