Berthe Morisot was closely associated with French Impressionism and actively participated in all the group’s exhibitions. She maintained close and creative links with Manet, Renoir and Degas, sharing their interest
in subjects derived from everyday life and in capturing the effects of light.
The Cheval-Glass, which was included in the Impressionist exhibition of 1877, is an excellent example of these interests. A woman gathers up the waist of her loose blouse at the back, possibly imagining the effect
of wearing a corset. The light, entering from the two windows that flank the mirror in which she looks at herself, and the reflections on the mirror create a rich tonal range of whites. The full-length figure of
the woman is depicted in a flirtatious pose, her left shoulder bare and turned towards the viewer. A tilting dressing mirror of this type was known as a Psyche, a title that was given to this painting on various
occasions.
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