In this slightly more than half-length portrait, she wears a blue velvet dress with gold embroidery and reddish robes. The carnation in her left hand is a traditional symbol of betrothal in portraits of engaged Spanish
princesses.
This work appears to be unfinished, primarily in its depiction of the jewels and lace on the dress and blouse, and in the empty lower space, which almost certainly was intended for a mock architectural cornice.
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