A pupil of Jacob van Ruisdael, whose work is also on view in this gallery, Meindert Hobbema often borrowed motifs from his teacher, such as the watermill seen here. Watermills, which Hobbema employed more than 30
times in his paintings and which abounded along country waterways, would have been understood as symbols of human transience and Dutch industriousness. The well-dressed figures farther along the path at the left
are intended to suggest the rewards of productivity and diligence.
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