One of Gauguin’s most treasured possessions was a painting by Cézanne, Still Life with Fruit Dish (1879–80, now Museum of Modern Art, New York ), which he emulates in this picture. Within a similarly
compressed space, Gauguin substituted mangoes for Cézanne’s apples and a Tahitian-style printed cloth for a French floral wallpaper design. One significant departure is the human figure at the upper right,
glimpsed through a door or window. The year after he completed this work, Gauguin’s finances were so dire that he arranged for the sale of his prized Cézanne.
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