For a brief period in the late 1880s, Pissarro experimented with the technique known as divisionism or pointillism, pioneered by younger artists like Georges Seurat. This involved applying small touches of two different colors side by side, which were intended to produce a third, more luminous color for the viewer. Here Pissarro modified the technique, using slightly broader brushstrokes to suggest the glowing late-day light in the countryside near his rural home.
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