艺术品展示 / 油画
《法国王后玛丽·安托瓦内特和她的两个孩子在特里亚农公园散步》(Queen Marie Antoinette
of France and two of her Children Walking in The Park of Trianon)

名家名作

《法国王后玛丽·安托瓦内特和她的两个孩子在特里亚农公园散步》
IQ Artis.cn收集整理,点击图片可查看高清大图

档案记录

画作名称:

Drottning Marie Antoinette av Frankrike med två av sina barn promenerande i Trianons park

中文名称:
法国王后玛丽·安托瓦内特和她的两个孩子在特里亚农公园散步
画 家:
阿道夫·乌尔里克·韦特缪勒(Adolf Ulrik Wertmüller)
作品年份:
1785 年
原作材质:
布面油画
画作尺寸:
276 x 194 cm
馆藏链接:
瑞典国立博物馆(Nationalmuseum Sweden)
备注信息:
 

 The portrait of Marie-Antoinette with her children in the Trianon park was her gift to Gustav III, who had chosen the artist himself – his way of launching Wertmüller in Paris. Shown at the Salon in 1785, the painting was not well received. The subject exclaimed, “What, is that supposed to be me?” According to the critics, a queen could not be shown with her head on one side. Wertmüller had to adjust the portrait before it could be shipped to Sweden.

 

百度翻译:http://fanyi.baidu.com


    Adolf Fredrik Wertmüller was commissioned by King Gustav III to paint this portrait of Marie Antoinette and two of her children. The painting was displayed at the Salon in Paris in 1785, four years before the French Revolution.
     Wertmüller’s autobiography explains how the portrait came about: “I travelled […] to Versailles and from there to Petit Trianon, where she spent her summers. That is where I painted portraits of her and the Princess, who was six years old at the time. The Queen welcomed me with the greatest of kindness and distinction, and gave the order that I should paint His Highness The Dauphin at La Muette [the residence of the French Crown Prince] while I was here.” […] “I then headed back to Paris and painted a large canvas of natural size and the full length of the person[s].”

     Wertmüller ordered two mannequins for his studio in Paris – one for the Dauphin’s portrait and one for the Princess. It was common to lend the portraitist the clothing that you wanted to be depicted in. It is therefore assumed that the costumes in which the mannequins were dressed actually belonged to the Royal children. Wertmüller also ordered a special coiffure from the Queen’s wigmaker Monsieur Léonard, and he is likely to have had access to the robe à la turque (Turkish dress) that Marie Antoinette is wearing in the portrait. Wertmüller portrays the Queen in an environment where she spent much of her time: the gardens surrounding her palace Petit Trianon, near Versailles. It is the Queen’s role as a mother that is highlighted in the portrait, in the spirit of Rousseau. This is a conscious choice, part of a strategy to change the official image of Marie Antoinette from a frivolous foreigner who loved life’s luxuries to the mother of all France. Princess Marie-Thérèse Charlotte has dropped a rose on the ground. Perhaps she pricked herself on a thorn? The dress does have small flecks of blood on it. The Dauphin is holding tightly onto his mother’s dress.

     Marie Antoinette was 30 years old when the portrait was painted. Louis-Joseph was four. He died three years later of tuberculosis. Marie-Thérèse Charlotte was the only member of the family to survive the Revolution.


    百度翻译: http://fanyi.baidu.com

 

Appreciate

我要抨击

请使用邮件留言,mail:[email protected]

我要赞誉

请使用邮件留言,mail:[email protected]