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画作名称:
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The Performing Dog |
中文名称:
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表演犬 |
画 家:
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约翰·刘易斯·布朗(John Lewis Brown) |
作品年份:
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probably about 1860-1890 年 |
原作材质:
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布面油画 |
画作尺寸:
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36.8 × 44.4 cm |
馆藏链接:
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英国国家美术馆(The National Gallery, London) |
备注信息:
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A small dog on its hind legs performs before a middle-aged man, who lies on the grass. The man’s long white coat with a salmon-pink lining and his white gaiters have the appearance of a theatrical costume rather than everyday clothes. His raised hand and attentive gaze suggest he is teaching the dog a trick – perhaps a balancing act related to the red object on its head, which may be the man’s hat. To the right, a horse grazes. Just above its head, a reddish-brown shape in the background is a figure hiding in the hedgerow, which looks out at the man and dog, perhaps not quite sure what they are doing.
Born in France of Scottish descent, John Lewis Brown specialised in hunting and military pictures, as well as studies of horses and dogs. His pictures sometimes have a humorous aspect to them, while also showing his firm grasp of animal anatomy.
A small black-and-white dog on its hind legs performs before a middle-aged man, who lies on the grass. The man’s long white coat with a salmon-pink lining and white gaiters have the appearance of a theatrical costume, rather than everyday clothes. The turquoise tinge to his hair adds to a sense of artifice. His raised hand and attentive gaze suggest the man is teaching the dog a trick – perhaps a balancing act related to the red object on its head, which may be the man’s hat. To the right, a horse grazes. Just above its head, a reddish-brown shape in the background is a figure hiding in the hedgerow, which looks out at the man and dog, perhaps not quite sure what they are doing.
Born in France of Scottish descent, John Lewis Brown specialised in hunting and military pictures, as well as studies of horses and dogs. As here, his pictures sometimes have a humorous aspect to them, while also showing his firm grasp of animal anatomy. He was also an excellent etcher and watercolourist, skills which are evident in the fluid brushstrokes used to create structure, such as the foreshortened view of the horse.