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画作名称:
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Portrait of the Drummond Family, Peter Auriol Drummond (1754-1799), Mary Bridget Milnes Drummond (1755-1835), and George William Drummond (1761-1807) |
中文名称:
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德拉蒙德家族的肖像,彼得·奥里奥尔·德拉蒙德、玛丽·布里奇特·米尔尼斯·德拉蒙德和乔治·威廉·德拉蒙德 |
画 家:
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本杰明·韦斯特(Benjamin West) |
作品年份:
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c.1776 年 |
原作材质:
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布面油画 |
画作尺寸:
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152.4 x 182.88 cm |
馆藏链接:
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明尼阿波利斯艺术博物馆(Minneapolis Institute of Art) |
备注信息:
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Born in Pennsylvania, Benjamin West moved to Europe in 1760, studying primarily in Italy before settling in London in 1763. One of his first important patrons was Robert Hay Drummond, the Archbishop of York. Drummond attempted to raise an annual salary for West so that the artist could devote his time to producing grand historical paintings, rather than be confined to the lucrative work of portraiture. When this effort failed, Drummond introduced West to King George III, who recognized the artist's abilities and eventually appointed him Historical Painter to the King. West achieved tremendous fame and financial success in London and helped establish the prestigious Royal Academy in 1768.
This family portrait depicts four members of the Drummond family. At far right is Peter Auriol Hay Drummond, the third son of the Archbishop and an officer in the 16th Light Dragoons. Next to him is his wife, the former Mary Bridget Milnes. On the left is the Archbishop's sixth son, George Hay Drummond, a clergyman in the Anglican church, who holds a painting of the fourth "sitter,", the archbishop. Some scholars have suggested this is intended as a memorial, and must date to after the archbishop's death on December 10, 1776. Others have suggested that the painting might precede his death, since none of the sitters give any indication of mourning. Perhaps the archbishop's duties in York prevented him from sitting for the portrait in London, so West included him with the clever conceit of representing a portrait painting in the work.
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