In this modest kitchen scene, a type known as a bodegón (from the Spanish for pantry), Diego Velázquez depicted a young African woman at work, surrounded by exquisitely rendered pots, jugs, a mortar and pestle, and a crumpled paper wrapper for spices. Slavery was widespread in the young artist’s hometown of Seville: Velázquez, his father, and his teacher, Francisco Pacheco, were all enslavers. In creating this painting, Velázquez may have used an enslaved woman from one of these households as a model.
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