艺术品展示 / 油画
《女先知库迈(在多梅尼基诺之后)》【Cumaean Sibyl (after Domenichino)】

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《女先知库迈(在多梅尼基诺之后)》
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档案记录

画作名称:

Cumaean Sibyl (after Domenichino)

中文名称:
女先知库迈(在多梅尼基诺之后)
画 家:
安吉莉卡·考夫曼(Angelica Kauffman)
作品年份:
ca.1763 年
原作材质:
布面油画
画作尺寸:
w29.5 x h38.5 in
馆藏链接:
美国国家妇女艺术博物馆(National Museum of Women in the Arts)
备注信息:

       


       Angelica Kauffman was a founding member of the Royal Academy of Arts and one of London’s most sought-after portraitists. A child prodigy who was producing commissioned portraits in her early teens, Kauffman was trained by her father, the Swiss muralist Johann Joseph Kauffman. During the early 1760s, she traveled through Switzerland, Austria, and Italy working as her father’s assistant. This transient life provided her the rare opportunity for a woman to see and copy many classical and Renaissance masterworks and to meet leaders of the popular new movement known as Neoclassicism. During a three-year stay in Italy, Kauffman made her reputation as a painter of portraits; she also produced history paintings. Recognition of her accomplishments is indicated by her election to Rome’s Accademia di San Luca in 1765. In 1766, Kauffman moved to London, where she achieved immediate success as a portraitist. Over the next 16 years, she exhibited regularly at the prestigious Royal Academy and worked for a glittering array of aristocratic and royal patrons. In 1781, Kauffman married the painter Antonio Zucchi, who succeeded her father as her business manager. By the time of her death, she had achieved such renown that her funeral was directed by the prominent Neoclassical sculptor Antonio Canova, who based it on the funeral of the Renaissance master Raphael.


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先作:多梅尼基诺的《女先知(SIBYL)》画作档案

 

画作名称:

SIBYL(SIBILLA)

中文名称:
女先知
画 家:
多梅尼基诺 (Domenico ZAMPIERI, 被称为DOMENICHINO,1581-1641年)
作品年份:
ca.1617 年
原作材质:
布面油画
画作尺寸:
123 cm x 89 cm
馆藏链接:
博盖塞美术馆(Galleria Borghese)
画作赏析:

Domenichino portrays a rather unusual Sibyl, in that the young virgins inspired by the god Apollo are generally without musical attributes, which are present in this painting. The artist was known for his musical competence, and music is referred to here by both the scroll with notes and the neck of the viola da gamba, an instrument used precisely to accompany singing, which – given her semi-open mouth – the woman seems to be doing. Even the vine depicted in the foreground near the sibyl, almost as if to cover the laurel, sacred to Apollo, is a reference to musical themes. Such a representation must have both pleased and flattered Scipione Borghese, who had elected to be a protector of music as well as of painting.

百度翻译:http://fanyi.baidu.com