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画作名称:
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Two Women at a Window |
中文名称:
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窗前两妇人 |
画 家:
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巴托洛梅·埃斯特万·牟利罗(Bartolome Esteban Murillo) |
作品年份:
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c.1655/1660 年 |
原作材质:
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布面油画 |
画作尺寸:
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125.1 x 104.5 cm |
馆藏链接:
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美国国家美术馆(National Gallery of Art, Washington DC) |
备注信息:
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Seville's most popular painter in the later 17th century was Bartolomé Esteban Murillo.
While Murillo is well known for works with religious themes, he also produced a number of genre paintings of figures from contemporary life engaged in ordinary pursuits. These pictures often possess a wistful charm; Two Women at a Window is a striking example. A standing woman attempts to hide a smile with her shawl as she peeks from behind a partially opened shutter, while a younger woman leans on the windowsill, gazing out at the viewer with amusement. The difference in their ages might indicate a chaperone and her charge, a familiar duo in upper-class Spanish households. Covering one's smile or laugh was considered good etiquette among the aristocracy.
The convincingly modeled, life-size figures, framed within an illusionistically painted window, derive from Dutch paintings that were meant to fool the eye.
这幅画依然是我很喜欢的风格,仅用了一扇窗便框出了拥有两个女人的美丽风景,趴着的看起来很年轻,眼神清澈单纯,似乎对外面的世界充满了想象和期待,她露肩的裙子展示着自己白皙的肌肤,打理的光滑的头发,用心的梳着发髻。头发上红色的两个精致的小发饰象征着她的活泼朝气。
身旁的妇人虽拿头巾遮住了面部,但是依旧可以看出她打理整齐的头发和她未能藏起来的笑容。
虽然牟利罗从小就失去了父母,但是从他的作品中我们总是能够看到他温柔似水的内心和对这个现实世界的热爱。
@温迪嬷嬷讲述绘画的故事:
这幅画非常迷人:沉寂而带有清新的美,对人物内心的表现也颇为自信。几乎可以肯定,其中的一位是西班牙家庭中照看少女的家庭教师兼女伴。她在笑,但是画家没有表现她的笑容,只让我们看到她面颊上的喜色。她闪亮的眼睛告诉我们,正是使少女发自内心地微笑的事情让她路出了讥讽的嬉笑。她当然比那位美丽的少女看懂得更多,也明白得更透彻,牟利罗以一种最为巧妙的潜台词方式告诉了我们这一点。
在这幅绝妙的图画里,呈垂直方向的厚实的窗框和同样结实的水平的窗台“框”住了两位妇人。少女是这幅画情感的中心,她面带讥诮超然地望着外面的生活,但是牟利罗和那位年龄较大的妇人都知道,现实中,她对未来的选择已经被严格的限定了。