Following his first trip to the Rocky Mountains [47.1202] in 1859, Albert Bierstadt returned to the western United States in 1863 with his friend, the author Fitz Hugh Ludlow. Both men were tremendously impressed
by the splendor of the landscape. Ludlow published his assessment of the scenery in the June 1864 issue of Atlantic Monthly, proclaiming that the Valley of the Yosemite in California surpassed the Alps in waterfalls
and the Himalayas in precipices;Bierstadt wrote of their trip to his friend John Hay that he had found the Garden of Eden.The popular orator and preacher Thomas Starr King extolled the virtues of Yosemite and considered
those who depicted its scenery to be artist-priests.
Bierstadt effectively combined his studio training abroad and his facility for sketching outdoors, successfully cultivating a market for western pictures
back in the East. He painted this small, finished oil sketch, probably his first of the subject, in his New York studio the year after his trip to Yosemite, and sold it at the Metropolitan Sanitary Fair in New York
for $1,600, the highest price paid for a painting at the sale. Small-scale oils like this one, which has the freshness of studies executed in the field, also served as inspiration for compositions the artist envisioned
on a grand scale and painted in his studio. This work is likely a finished sketch for the much larger (five by eight feet; 1.5 by 2.4 meters) Looking Down Yosemite Valley, California (1865, Birmingham Museum of
Art, Alabama), painted the following year. Bierstadt became known for such panoramic canvases, particularly his grandiose scene TheRocky Mountains, Lander’s Peak (1863, Metropolitan Museum of Art, New York), which
measured six by ten feet (1.8 by 3 meters). By late in 1865, after it had toured the Eastern seaboard, Bierstadt sold that canvas for $25,000, setting a record price for an American painting.
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