This sensitive depiction of his children exhibits Laurent's ability to portray the psychological interiority of his subjects, young or old. The miniature shows Laurent's son and daughter in white chemise gowns with green ribbon accents. They both have striking blue eyes and slightly curled blond hair. The younger sibling tenderly holds the arm of the older one, who sits on a chair strewn with pink rose petals and inscribed with the artist's signature. The children are placed within an environment in which green foliage sprouts small blue and purple flowers. This organic setting reflects 18th-century Western philosophies of natural child rearing, characterized by treating childhood as a period of innocence distinct from adulthood and advocating that children not be treated as miniature adults but instead should have their naiveté celebrated. This philosophy influenced children's clothing. Instead of dressing children as small adults in constrictive costumes, both genders wore loose chemises, like the ones seen here, that encouraged mobility.
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Jean Antoine Laurent (Baccarat, 31 October 1763 – Epinal, 11 February 1832) was a French miniaturist and painter.In his long career he tried his hand non only as miniaturist but also as history and genre painter. He married Marie Antoinette Gueliot and had four children. Pauline was the elder, Emma was a miniaturist, Paul studied in the Ecole Polytechnique but was expelled in 1814, Jules was a sculptor and director of Epinal Museum.
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